Showing posts with label History in the News. Show all posts
Showing posts with label History in the News. Show all posts

David L. Chappell Responds to Ross Douthat on Religion and the Civil Rights Movement

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On April 8 the New York Times published Ross Douthat's op-ed "Divided by God." In part Douthat argued that "religious common ground has all but disappeared" in modern America. (In response, Mark Silk penned a step-by-step rebuttal here.) Toward the end of Douthat's op-ed he discussed the common theological ground that blacks and whites once shared, which he thinks helped end desegregation. In an aside Douthat mentions the work of David L. Chappell, Rothbaum Professor of Modern American History at the University of Oklahoma.

In this guest post Chappell responds to Douthat's reading of Chappell's A Stone of Hope: Prophetic Religion and the Death of Jim Crow (UNC Press, 2003). Along with that award-winning book, Chappell has written a number of articles and essays (some with the Journal of the Historical Society and Historically Speaking) on religion in modern America, the civil rights movement, politics, and race. He is also the author of Inside Agitators: White Southerners in the Civil Rights Movement (Johns Hopkins University Press, 1996). His next book, Waking from the Dream: The Battle over Martin Luther King’s Legacy (Random House), will be out in 2013.

Setting the Record Straight
David L. Chappell

I am grateful that Ross Douthat mentioned my book, A Stone of Hope, favorably. ("Divided by God," April 8.) With the best of intentions, however, Mr. Douthat got my story wrong. According to him, I claim that civil rights leaders in the 1950s and 1960s used "moral and theological arguments to effectively shame many [white] southerners into accepting desegregation." That is a familiar version of the story, but the record does not support it.

Civil rights leaders did not shame white southerners but rather undermined their social foundations. The white South's churches could not defend segregation with a straight face, and that hurt the segregationist cause. There is a big difference, however, between being unable to muster a unifying and inspiring defense of an institution and being "shamed" into dismantling it. From beginning to end, I argued in my book, the civil rights movement used political coercion: with boycotts and mass demonstrations, the movement forced white southerners to give up their special privileges against their will.

The civil rights' leaders religious fervor inspired their own black, southern, Christian ranks to rise up out of their despair, fear, and in many cases resignation. But that is as far as the persuasive power of the leaders’ words carried. Rank and filers in the movement earned the respect, and often the awed admiration, of northern black and white liberals, because they were willing to risk their lives, to do jail time, and to endure the clubs, dogs, and fire hoses.

The organized force of black southerners' collective economic power produced the movement's first great victories. Further sustained demonstrations induced the federal government to apply the full force needed to end Jim Crow. The government realized that the only way to restore order and a good investment climate in the South was to enforce the Constitution, nearly a hundred years after it was amended to include black southerners. Thus religion played a key role, but political force carried the day. (So I wrote in my book, at any rate, and I felt I had to correct the record.)

Edward J. Blum on Race and Religion in Recent History

Randall Stephens

On Wednesday the history department at my institution hosted San Diego State University historian Edward J. Blum, who delivered an intriguing lecture on "What Humor Tells Us about Race and Jesus in America."

Blum is the author, with Paul Harvey, of the forthcoming Jesus Christ in Red, White, and Black (UNC Press, 2012), which "examines the central roles played by depictions of Christ in racial battles from the colonial era to the present."* Blum has also authored a variety of other books and articles on race, religion, and American culture.

In his lecture here on campus, Blum asked students, faculty, and community members to think about how humor in America has changed since the 1970s. What might have been utterly taboo in previous decades--jokes about Jesus, or cracks about religion and race--are now common.

A reporter from the local paper, Dan McCready, showed up and wrote a brief piece on the event. (See the article here along with a short video.) Blum addressed depictions of Jesus and described how Americans have talked about and represented God over the decades and centuries. Those images and ideas about race in general led to innumerable conflicts in the 1960s and 70s, many rehearsed on TV and the big screen. Said Blum to McCready: "What happens in the 1970’s is [that] Americans tire out from the Civil Rights movement, they tired out from all the struggles and we see a backlash to racial problems." Enter Archie Bunker, Dirty Harry, and Rocky Balboa.

Using episodes from South Park and Family Guy, along with popular films, Blum ably guided the audience through the twists and turns of popular culture and showed how we got from point A to point B. Few topics could get students to think about change over time as this did. And I'm always glad to have that key aspect of history discussed by visiting speakers!

Historians in the News Roundup

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Ta-Nehisi Coates, "The Civil War Isn't Tragic Cont.," The Atlantic, August 16, 2011



Anyone who's going to deal in Civil War studies really needs to take a moment to grapple with James McPherson's This Mighty Scourge. I doubt that this was McPherson's intent, but the first essay in the book is really what set me on the path of questioning the "Civil War as American Tragedy" narrative on to the "Civil War as American Revolution" line of thinking.



I suspect McPherson might not agree with my reframing--I'm probably being a bit too pat. Nevertheless, his essay demonstrates that the idea of the Civil War as avoidable tragedy didn't materialize out of thin air; it comes not just out of American popular memory, but right out of American historiography.>>>



Charlotte Higgins, "Historians say Michael Gove risks turning history lessons into propaganda classes," Guardian, August 17, 2011



Leading historians are to hit out against Michael Gove's plans for history teaching, saying they risk "going down the route of propaganda".



Gove has said history in schools ought to "celebrate the distinguished role of these islands in the history of the world" and portray Britain as "a beacon of liberty for others to emulate".



But Tom Devine, professor of history at the University of Edinburgh, said: "I am root and branch opposed to Gove's approach. It smells of whiggery; of history as chauvinism. You cannot pick out aspects of the past that may be pleasing to people.">>>



Karen Valby, "Black Women Historians come out against 'The Help,'" Entertainment Weekly, August 11, 2011



The Association of Black Women Historians released a statement today, urging fans of both the best-selling novel and the new movie The Help to reconsider the popular tale of African American maids in 1960s Jackson, Miss., who risk sharing their experiences with a young white journalist. “Despite efforts to market the book and the film as a progressive story of triumph over racial injustice, The Help distorts, ignores, and trivializes the experiences of black domestic workers,” the statement read.>>>



David Barrett, "Historian Starkey in 'racism' row over riot comments," Telegraph, August 14, 2011



Dr Starkey cited Enoch Powell’s infamous “Rivers of Blood” speech from 1968, which criticised Commonwealth immigration, and suggested it had been “absolutely right in one sense”.



He was described as a “racist” and accused of “tribal bigotry” for his provocative comments.



Referring to last week’s riots, Dr Starkey told BBC2’s Newsnight: “But it was not inter-community violence, this is where he (Powell) was completely wrong.>>>



Richard Florida, "The inchoate rage beneath our global cities," Financial Times, August 16, 2011



. . . . Then there is this: our greatest cities are not bland monocultures but the very features that make them dynamic also contribute to their instability. Eric Hobsbawm, the Marxist historian, long ago noted that a combination of density and the poor being close to centres of political power transformed old-style cities into centres of insurrection. It is no accident that the most innovative US cities also have the highest levels of protest and among the lowest levels of social capital and cohesion. Much the same is true of London.>>>

The Berlin Wall 50 Years On: Symbol of Division, and of Hope

Philip White



This past weekend, German citizens turned out en masse to recognize the 50th anniversary of East German authorities putting up the Berlin Wall. Coming 15 years after Winston Churchill’s Sinews of Peace speech, this barrier was the embodiment of the Iron Curtain that the British Prime Minister (ex-PM at the time) had spoken of in March 1946. The Wall not only carved Berlin in twain, but also the political and philosophical world–with liberal democracies with capitalist economic models on the western side and the totalitarian Communist regimes on the eastern.



Many desperate souls from the east (at least 136 reported, with many other likely not counted) died trying to get over the wall and with each failed attempt, the dreams of families hoping for a different life in the west perished, too. The commemoration in Berlin was no celebration, but rather a somber affair marked by church bells pealing out and flags billowing in the breeze at half-mast on the Reichstag. In the spot where the wall stood is now a chapel, which held a memorial service for those who lost their lives during the Wall’s 28-year history.



Before the concrete monstrosity went up, more than 2.5 million Germans had gone to the Allied occupation zones in the west of the city, according to The Daily Telegraph. One of the reasons for constructing the wall was the fear that this flight would leave the eastern part of the city economically destitute. Yet it was also, in many ways, a barrier to keep things out, not least “dangerous” Western ideas about freedom of the ballot box, speech and expression. The 96 miles of guard-patrolled, barbed wire-topped fortification also served the purpose of keeping Western officials and journalists out of Communist Eastern Germany and the nations beyond, preventing them from exposing the continued abuses of power and suppression of individual rights there.



Though it seemed so intimidating and so permanent for so long, the Berlin Wall was only as strong as the Soviet Union and its puppet regimes that had conceived it. By the time Ronald Reagan famously issued his June 1987 plea at the Brandenburg to Soviet General Secretary Mikhail Gorbachev, “Mr. Gorbachev, tear down this wall!”, the bedrock of the U.S.S.R. was already cracking under the pressure of freedom movements in Eastern Europe, an unsustainable military budget, and a flagging economy, not to mention the flourishing of new political ideas within Moscow’s halls of power.



The fall of the Wall two and a half years later, on November 9, 1989, did not solve Germany’s problems, and, in fact, the convergence of two radically different populations presented many new challenges. However, its demise was the symbolic nail in the coffin of the U.S.S.R. and thus, half a century after its creation, the Berlin Wall invokes thoughts of hope, as much as sorrow.

David Barton and Popular, Politicized History

Chris Beneke and Randall Stephens

This cross-posts comes from a blog entry that Chris Beneke and I wrote for Christian Century. I paste here a section of "The Daily Show's limits."

"Open conversation that leads to nothing."

That's how Jon Stewart summed up his interview with popular right-wing historian David Barton. He was right. After 30 minutes of glib back-and-forth with Barton (ten of which made it onto TV), Stewart was flummoxed, worn down, unfunny. [Click on the image to watch.)

As the air left the room, the conversation exposed the gaping ideological divide between Americans--and the challenges we face in bridging it.

Conservatives who go on the Daily Show usually end up looking the fool. But Stewart met his match in Barton, an ideological warrior revered by Glenn Beck and Mike Huckabee. Stewart's razor wit and trademark blue index cards were no match for Barton's prodigious memory and unwavering insistence that America's Christian founding has been erased by secular elites.

The show's staff probably thought Barton could be caricatured as a half-crazed ideologue, unconcerned with larger inconvenient truths. Perhaps they figured that a few well-chosen facts that don't fit his God-and-country narrative would render him speechless, that he would crumble under the relentless ironic jabs. But if it were just a matter of enumerating quotations and dates, members of Congress wouldn't be calling Barton to provide them with the founders' views on deficits, stem cell research and stimulus programs. Barton offers his listeners something much more alluring.

One thing we learned from Stewart's tête-à-tête with Barton is that anecdote-ridden claims can't be countered with more anecdotes. What Stewart never articulated was the essential function of history--using the preponderance of evidence to provide a credible context for understanding the past and the present. Barton presents himself as the high priest of founding texts and the arbiter of honest truth. He's not, of course. But it's going to take patient, gritty work to convince folks otherwise.

Barton's carefully crafted image as a just-the-facts historian is key to his success. He insists again and again that we should read our primary-source documents just as we should read the Bible: unmediated. Too many professional historians, he scoffs, simply cite each other and repeat liberal platitudes. read on>>>

Medieval History Roundup

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"Binham Priory discovery of giant medieval graffiti," BBC, January 20, 2011

Thousands of years of history at a remote priory in Norfolk could be unearthed after the discovery of giant medieval graffiti on its walls. The Norfolk Medieval Graffiti Survey (NMGS) group claims to have found 8ft (2.4m) building plans etched into the stonework of Binham Priory, near Wells. . . . "It was difficult to believe what I was seeing," said NMGS's Matthew Champion. "Most graffiti inscriptions tend to be relatively small and modest. This was just so big that it wasn't really possible to see exactly what it was until we had surveyed the whole wall surface.>>>

David Abel, "Below the Western Wall, passage to a cherished history," Boston Globe, February 13, 2011

JERUSALEM — The giant slabs of limestone, which have remained standing for two millennia despite repeated efforts to demolish them, make up the most sacred structure in the world for Jews, the ancient wall that once protected the Temple Mount. . . . The painstaking work of exploring the underworld along the hidden portion of the Western Wall has led to perhaps the most interesting and controversial tour in Jerusalem, one that has to be made by appointment.>>>

Arminta Wallace, "Time travel with an app," Irish Times, February 12, 2011

The iPhone app Dublin City Walls is a virtual tour guide of a kind that could transform our experience of historical sites YOU KNOW the way you sometimes go to visit a historical site and when you find it there’s just a bump in the ground or a pile of stones – and that, pretty much, is that? Those who are trained in matters historical can get their imagination into gear and fill in some of the gaps. But for the rest of us it can be a somewhat underwhelming experience. A new iPhone app promises to revolutionise the way we interact with our heritage sites. Dublin City Walls uses high-resolution graphics, 3D imaging, video and GPS technology to bring the marvels of medieval Dublin right into the palm of your hand.>>>

Helen Castor, "The death-throes of the Wars of the Roses," TLS, January 26, 2011

Historical explanation is a tricky business. The reality of the past is lost to us, and all historical writing is an act of re-creation, in which the historian has a bewildering number of choices to make. One approach – adopted here by Desmond Seward – is to take a single thread and trace its path through the fabric of history. His theme in The Last White Rose is the precariousness of the Tudor title to the throne, and the repeated challenges the fledgling dynasty faced during the reigns of the first two Tudor kings.>>>