Showing posts with label Television. Show all posts
Showing posts with label Television. Show all posts

American History TV at the OAH

Randall Stephens

Readers might be interested in the latest from C-Span's American History TV. On C-Span 3, the program offers "event coverage, eyewitness accounts, and discussions with authors, historians and teachers. Click here to learn more about American History TV."  Here are selections from the show's Organization of American Historians conference coverage:

History of Birth Control - NYU Historian Linda Gordon at OAH in Milwaukee

History of Beer & Spirits: Backstory with the American History Guys in Milwaukee

History of Beer and Spirits: Backstory with the American History Guys in Milwaukee



See more OAH interviews here.

And speaking of interviews and C-Span, our very own blogger, Philip White, recently appeared on BookTV to speak about his new book, Our Supreme Task: How Winston Churchill's Iron Curtain Speech Defined the Cold War Alliance.

TV Debates: Political Discussion or MMA in Suits?

Philip White

When John F. Kennedy and Richard Nixon
took the stage for the first of four televised debates on September 26, 1960, the world of politics changed forever. Nixon was recovering from knee surgery and looked gaunt and ill-prepared as he sweated under the glare of the lights. In contrast, the sun-tanned young junior senator from Massachusetts appeared fit and confident as he answered questions from Howard K. Smith, the venerable CBS reporter and moderator for that evening’s exchange on domestic affairs. The debates were Kennedy’s idea and it was soon apparent why—his youth, good lucks and confident demeanor put his opponent at a distinct disadvantage.

At this point, 88 percent of Americans owned at least one TV set, and the medium had eclipsed radio as the primary source for news. Ed Murrow and his “Murrow Boys” had ushered in the golden age of American TV journalism (though, as Lynne Olson and Stanley Cloud point out, he far preferred radio) and the other major networks were trying everything in their power to catch up with CBS. Eager to raise his profile and to put a dent in Nixon’s campaign, Kennedy was spot on in his deduction that, with the help of Ted Sorensen and other advisors, he could become the favorite once he got in front of the cameras. 74 million viewers tuned in for that opening exchange, and Kennedy later acknowledged, “It was the TV more than anything else that turned the tide.”

Though the debate was spirited and the participants were far apart ideologically, they treated each other courteously and avoided insults and undue criticism. Indeed, a New York Times subhead declared that “Sharp Retorts are Few as Candidates Meet Face to Face.” How times have changed!

In the United States, it is now inconceivable to think of a national political race without TV, though in England the first TV debate between prime ministerial candidates took just before David Cameron’s election triumph. And yet, despite our familiarity with the medium, it is worth considering if we put too much emphasis on how our would-be leaders fare on the box.

Do we count out less telegenic candidates that may have flourished in a bygone era? Have we put too much power in the hands of moderators and their potential agendas? Is it fair to dismiss a politician after a major gaffe?

Certainly, the definition of what makes a “good speaker” has changed. In the late 1800s and early 1900s, audiences packed halls to see scientists introduce new wonders, to hear authors talk about their new books and to listen to lecturers ply their trade. Then, during World War II, British audiences were spellbound by Winston Churchill’s inspirational and defiant rhetoric, yet, when asked if he would permit live TV broadcast of his “iron curtain” speech in 1946, he replied curtly, “I deprecate complicating the occasion with technical experiments.” He, for one, was better suited to well-prepared speeches than impromptu exchanges. Despite being a formidable opponent in the House of Commons, would he have floundered or flourished in a TV debate?

Another questionable element of the TV forum is sponsorship. Media outlets across the ideological spectrum want in on the act, and YouTube has even extended the format to the web. How long until other companies get in on the act, and we have a Tostitos Debate on National Security or a Five Hour Energy Debate on Foreign Affairs, complete with tailored, Super Bowl-like commercials?

And then there’s the matter of frequency. Do we really need to see debate after debate to make up our minds who to vote for, or does the over-exposure and increasingly repetitive content just turn us off? Do we benefit from celebrities weighing in on TMZ about their favorite candidates’ virtues, or denunciations of those they oppose?

The tone of the candidates’ conversation is also subject to scrutiny. A far cry from the civilized banter between JFK and Tricky Dick more than 50 years ago, we appear to be nearing the point at which we will either fashion the competitors with rotten fruit or jousting lances before they go on the air. Perhaps that would make for “better” TV, or at least allow us to confess that, beyond gaining new insight into the candidates’ views, we love seeing one gladiator emerging triumphant from the arena while another is left bloodied and vanquished. Excuse me, I’m off to watch UFC on Fox.

Horrible Histories

Randall Stephens

Pillaging and plundering. Murder and torture. Soldiers gassed in the trenches. Kings and Queens behaving badly. Those are some of the many things you'll see on the BBC hit TV show Horrible Histories. The program is fittingly hosted by a rat puppet.
Its so popular with kids and parents that it's spawned a play, "colouring" books, and more. I'm hooked after seeing just a little of it with my god daughter here in the UK. (Watch the Four Georges boy-band sketch here.)

And in addition, the play, TV show, and the books all teach some fun lessons about the past. Jonathan Jones writes in the Guardian:

One sketch in the CBBC series concerns communications in ancient Rome. The Romans send messages by writing them on a tablet and sending them along the Roman roads by a network called Tabellari Messenger. That is, a slave takes the verbal message – complete with the requisite smilies – to its recipient. An adult needs to watch this twice to get all the references to BlackBerry Messenger. Of course, some might point to this system's alleged use in this summer's British riots. Perhaps that was all the fault of Horrible Histories.

But I doubt it: kids addicted to this programme would be more likely to be trying to memorise a song that names all the monarchs of England since William the Conqueror (one that should make the Tories happy there!) or collecting the full series of original books from Savage Stone Age to Blitzed Brits. Although it's impossible to achieve that goal because Deary keeps adding to them, endlessly spinning new variants on a winning formula. Only when he runs out of gruesome "R" words will he be done with the Romans – you can already get both Rotten Romans and Ruthless Romans.

I have wondered if the show's premise and popularity comes from Brits' happy pessimism, there comic dark streak. (Think for a moment of Monty Python or one of England's greatest poets, Philip Larkin, who famously said: "Deprivation is for me what daffodils were for Wordsworth.")

I doubt something like Horrible Histories would fly in the US. Too much celebratory and triumphant history dominates the popular view. But I certainly can see some great episodes based on robber barons, Thomas Jefferson, Benjamin Franklin, anti-communism, Henry Ford, slavery, and more!

History Documentaries Roundup

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Lisa de Moraes, "Summer TV Press Tour 2011: Ken Burns compares ‘Prohibition’ doc to present day," Washington Post, August 1, 2011
Ken Burns wants America to watch his new PBS documentary, “Prohibition,” and notice startling similarities to our current political maelstrom. At Summer TV Press Tour 2011, Burns led TV critics to that trough and suggested in the strongest possible terms that they drink deeply.>>>

Tim Younkman, "Bay City man who served as guard during Nazi Nuremberg trial featured in documentary," Bay City Times, July 28, 2011

BAY CITY — The courtroom is quiet as a corpulent figure on the witness stand — one of the highest-ranking German Nazis — proudly defends his actions during World War II. Standing next to him is a steely American guard, Bay City soldier Andrew Wendland. It’s just one of the scenes included in a newly restored 1947 documentary titled “Nuremberg: Its Lesson for Today,” which is being shown for the first time to North American audiences during a two-year tour of cities.>>>

Mike Boehm, "NEH gives $40 million in grants; $3.2 million to California," Los Angeles Times, August 2, 2011

. . . . L.A.’s Grammy Museum will get $550,000 to help produce “Rockin’ the Kremlin,” a film by director Jim Brown about the role American rock music played in weakening the Soviet empire. A UPI.com report last year on plans for the film said it includes an account of a 1977 Soviet tour by the Southern California-based Nitty Gritty Dirt Band that was said to play a part in capturing young Slavic imaginations, presumably helping to awaken them to the drawbacks of totalitarian rule. Brown’s past films include documentaries about Woody Guthrie, the Weavers, Peter Paul and Mary and a PBS series, “American Roots Music.”>>>

Rich McKay, "Post-slavery South chained to hard labor: Upcoming film shows how Atlanta relied on indentured servitude," Atlanta Journal Constitution, July 28, 2011

In the years after the Civil War, a black man could get arrested in Atlanta simply for being outside after sunset or talking loud or looking at a white woman in the “wrong way.” Those arrested could spend years in forced labor, auctioned off for pennies by the state for hard labor for the profit of big Atlantan industries. A $75 fine could take a decade of back-breaking work to pay off.>>>

Ceri Radford, "Timeshift: All the Fun of the Fair, BBC Four," Telegraph, August 3, 2011

Candyfloss bigger than your head, goldfish in plastic bags, nausea-inducing rides and inept efforts at the coconut shy: most of us have memories of the fairground, and last night’s Timeshift: All the Fun of the Fair (BBC Four) was a fond and informative trundle through its cultural history. The documentary also managed to effortlessly suggest both how different things used to be and, simultaneously, how similar.>>>

San Francisco Moving Picture Time Machine

Randall Stephens

It's really hard to believe that 60 Minutes has been on the air since 1968. (In fact, you can watch original episodes in their entirety here.) This Sunday proved the show still has much to offer all these years later.

In a segment called "60 Minutes Rewind," the program turns its attention to a remastered film, an amazing, rare bit of footage from more than 100 years ago. Way back when two clever filmmakers decided to mount a camera to the front of a trolly car that was rattling down Market Street. The footage is astonishing. I'm thinking about using it in my fall course, the United States from Reconstruction to World War I. Like this 1848 daguerreotype of Cincinnati, the moving pictures might encourage class discussion on what we can learn about a large American city from this film from so long ago. (See also how the story follows the sort of digging, investigation historians have to do.) Have a look and see what you think . . .